Love arrives today!
Available on all streaming platforms including Spotify and Apple Music.
There are 18 songs on the record, and while each of them can certainly be heard on its own, this is one album where I’d encourage listeners to resist the shuffle button—at least the first time through because the sequence matters.
Love is organized into three volumes, loosely following a three-act dramatic structure.
Act I, starting with “What You Know” begins with attraction, discovery, desire and intimacy. Gradually, however, familiarity gives way to uncertainty, strain and finally separation.
Act II, “Love (The Turn)” takes place in the aftermath: loss, disorientation, hitting bottom, rebounding, looking backward, and beginning to come to terms with what has happened.
Act III “Love (The Return)” turns outward again. It is about recovery, hesitation, renewal and the delightful feeling of opening up to love again.
The album isn’t intended as a definitive statement or story about love. As a concept album, it is more about what love does over time: how it begins, how it changes, what happens when it fails, what remains afterward, and how those experiences become part of whatever comes next.
Today, streaming has made the individual song the dominant unit of listening. We hear tracks in playlists, on shuffle, out of sequence, often separated entirely from the albums they came from.
And that’s fine. The songs on Love can live that way too.
But the record wasn’t really made that way.
The ordering of the songs became part of the composition. A song can mean something slightly different depending on what precedes it and what follows it. The three acts have their own internal movement, and the album as a whole is meant to trace a journey.
So when Love arrives, I’d encourage you to try listening to it that way.
Put on Act I and let it run.
Then Act II.
Then Act III.
Or, if you have the time, begin with the overture and stay with the story all the way through.
Available on all streaming platforms including Spotify and Apple Music.
